Friart dédie trois étages à Film Implosion!, qui lève le voile sur un pan méconnu de l’histoire de l’art helvétique en proposant la première exposition entièrement consacrée au cinéma expérimental en Suisse. Celle-ci présente un large panorama …

The collaborative work of de Gruyter and Thys casts a withering glance upon the world and the human relations that make up the fabric of life. Their videos feature everyday scenes (family, friends, hobbies, marginalisation etc.) re-enacted by amateur …

Friart is pleased to announce a public exhibition of the work of Pascal Vonlanthen. Born in 1957 in Rossens, the self-taught artist still lives in Fribourg, where he attends CREAHM, an art workshop for people with an intellectual disability. The …

“Given the relationship between neocortex size and social group size in primates, what does this tell us about humans? We are primates just like all the others. Indeed, the most recent evidence from molecular biology suggests that, on the basis of …

From 30 May to 6 June, Friart will become an International Institute for Screamscape Studies. The aim: to create a prodigious sound panorama, or “Screamscape”, that is being constantly enriched by the research, emotions, theories and views …

Friart se réjouit de présenter au public la série Tulsa (1963-1971) dans son intégralité, ainsi que des vidéos datant du début des années 1990, montrées pour la première fois depuis la rétrospective du Center of Photography à New York en 2005.

Since the emergence and development of mass communication technologies in the 1950s, the media have become the main conduit for the public’s reception of art. Reliance on this mode of transmission is even more pronounced today due to the highly networked …

Despite rarely using a camera during his career, Robert Heinecken (1931–2006) is widely considered one of the most influential post-war American photographers. Describing himself as a “paraphotographer”, Heinecken tirelessly explored the …