The General Art Strike and The Perpetuum Mobile
- René Aeberhard
- Gábor Altorjay
- Árpád Kovács
- A.S.A - Boris Nieslony
- ASAC + Philippe Billé
- Patricia Jacomella Bonola
- Florian Cramer
- Claude Degueldre
- Philippe Deléglise
- Keith Donovan
- Etienne Descloux
- Pierre-André Ferrand
- Jean-Damien Fleury
- H.R. Fricker
- Johan Van Geluwe
- Mia Santa Maria + Kina Herceg
- Stephane Huitmer
- IPUT / Tamás St. Auby
- Luc Joly
- Eliane Laubscher
- Tony Morgan
- Mac Tarruc
- Ka Moser
- Muriel Olesen + Gérald Minkoff
- Clemente Padín
- Félix Plattner
- Vernessa Riley-Foelix
- Michel Ritter
- Günther Ruch
- Christoph Scholl
- Chris Straetling
- G. Rivon Stürler
- Frederick Steinmann
- Marcel Stüssi
- Bruno Sutter
- Pat Treyer
- Maurice Vouga
- Maria Walther
- Patrick Weidmann
- René Zäch
- Bernardo Zavattini
- Jean-François Zehnder
- Olga Zimmelova
The exhibition is curated by Michel Ritter
Dear colleagues!
The Strike as such is an aesthetic/ethical operation on the deformed body of the reigning myth.
The Strike, by definition, is declared on the territory between genesis 3; 15 to 24.
This obscure territory is the theo-logical link of the sweaty cause and deadly efect.
The Gustav Metzger-Stewart Home Proposition englightened the social implications of this relation: the Art-Strike clearly defined its position on the market of the myth.
The International Parallel Uninon of Telecommunications (IPUT), (involved in the cultivation of newly-established dictionaries of extra-mythological languages, practicing different forms of Art-Strikes under the general title: the Subsistance Level Standard Project 1984 W) calls for an international and simultaneous event in the frame of the Art-Strike (1990-1993).
The General Art-Strike (May 1991) and the Perpetuum Mobile.