Alain Huck presents the castings in objects of industrial pulling or uses their print to work out a poetry by contradiction. The glance of the spectateur is initially confronted with artistic objects which carry in them the mark of their source. Some are abstract. They can be compared in our urban geography with atmospheres coming from the peripheral zones. They evoke a secretion, a residue which perspires, around the forms and the supports.
Exhibition in parallel: Claudio Moser