As a House that Moves

Projects of new temples to culture abound in our times, but the debate on slightly outdated notions such as the “White Cube” and the “Black Box” continues apace. The cube represents a minimalist spatial form that retains a strong kinship with the easel painting and its frame. Recycled and trivialized, it is now characterized by a degree of objectivity and neutrality that subjects it to an alienated world of scientific and emotionless rationality. For this exhibition Fri-Art has invited an artist and two architects to cooperate on a project that reconsiders the museum and its internal structure, links the individual to the environment, and invites him to develop a shared spatial concept which involves and feeds into a reflection on the “nature” of this subject.